Questo album non è di sicuro il primo della sua carriera, vogliamo ricordare albums come
The Complete Poetical Works Of Percy Bysshe Shelley Volume 1.
Le 186 canzoni che compongono l'album sono le seguenti:
Ecco una piccola lista di canzoni che Percy Bysshe Shelley potrebbe decidere di cantare comprensiva dell'album dal quale ogni canzone è tratto:
- On Death
- Stanzas 1 And 2
- Cancelled Stanza
- Song For ‘Tasso'
- On A Faded Violet
- Fragment: ‘O Thou Immortal Deity'
- Fragment: ‘I Faint, I Perish With My Love!'
- On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
- Fragment: Milton's Spirit
- Fragment: Apostrophe To Silence
- Fragment: ‘Follow To The Deep Wood's Weeds'
- Variation Of The Song Of The Moon
- Ode To Naples (Epode 1a)
- Fragment: The Vine-Shroud
- Liberty
- Fragment: ‘Methought I Was A Billow In The Crowd'
- Evening: Ponte Al Mare, Pisa
- An Exhortation
- ‘Mighty Eagle'
- On Fanny Godwin
- To A Skylark
- Buona Notte
- To —. ‘Oh! There are Spirits of The Air'
- A Summer Evening Churchyard
- A Hate-Song
- National Anthem
- The World's Wanderers
- To Jane: The Recollection
- The Waning Moon
- Fragment: ‘And That I Walk Thus Proudly Crowned'
- To Edward Williams
- Fragment: To The People Of England
- Fragment: Wedded Souls
- The Aziola
- Autumn: A Dirge
- Another Fragment: To Music
- Otho
- The Magnetic Lady To Her Patient
- Ode To Naples (Antistrophe 1b)
- To —.' Yet Look On Me.'
- To Mary Shelley II
- A Lament
- Passage Of The Apennines
- Epithalamium
- Lines: ‘The Cold Earth Slept Below'
- Hymn To Intellectual Beauty
- Good-Night
- Fragment: ‘The Death Knell Is Ringing'
- Ode To Naples (Epode 1b)
- From The Original Draft Of The Poem To William Shelley
- The Cloud
- The Sensitive Plant Part III
- An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty
- To Jane: The Invitation
- A Fragment: To Music
- To Emilia Viviani
- Ode To Naples (Strophe 2)
- With A Guitar, To Jane
- The Woodman And The Nightingale
- To The Moon
- Fragment: The False Laurel And The True
- Fragment: ‘My Head Is Wild With Weeping'
- Ozymandias
- Fragment: Pater Omnipotens
- Ode To Naples (Antistrophe 1a)
- The Sensitive Plant Part I
- Fragment: To The Moon
- Invocation To Misery
- To Mary Shelley
- Time Long Past
- Fragment: Love's Tender Atmosphere
- Fragment: Sufficient Unto The Day
- Epitaph
- Fragment: “Igniculus Desiderii'
- Fragment: A Wanderer
- Ode To Naples (Strophe 1)
- Lines Written During The Castlereagh Administration
- Love's Philosophy
- The Tower Of Famine
- To William Shelley
- Fragment: Satan Broken Loose
- A Vision Of The Sea
- Fragment: ‘When Soft Winds And Sunny Skies'
- Lines To A Reviewer
- To The Nile
- Fiordispina
- Fragment: Beauty's Halo
- An Allegory
- ‘O That A Chariot Of Cloud Were Mine'
- Lines Written On Hearing The News Of The Death Of Napoleon
- Fragment: ‘Alas! This Is Not What I Thought Life Was'
- Death
- To Mary —
- Time
- Fragments Written For Hellas
- Cancelled Passage
- Hymn Of Pan
- Sonnet To Byron
- Dirge For The Year
- Fragment: The Lady Of The South
- Lines Written Among The Euganean Hills
- To Mary Wollstonecraft Godwin
- Summer And Winter
- Fragment: Death In Life
- To Constantia
- Ode To Naples (Epode 2b)
- The Indian Serenade
- Music
- Mutability
- Fragment: ‘Great Spirit'
- To William Shelley III
- Fragment: To A Friend Released From Prison
- Remembrance
- Ode To Naples (Antistrophe 2b)
- Ginevra
- Song
- Lines Written In The Bay Of Lerici
- Fragment: The Deserts Of Dim Sleep
- Fragment: ‘I Would Not Be A King'
- Fragment: ‘The Rude Wind Is Singing'
- Fragments Supposed To Be Parts Of Otho
- Love, Hope, Desire, And Fear
- Fragment: A Serpent-Face
- Fragment: Music And Sweet Poetry
- Fragment: Zephyrus The Awakener
- The Sensitive Plant Part II
- Fragment: Rain
- Arethusa
- Scene From ‘Tasso'
- Fragment: ‘Unrisen Splendour Of The Brightest Sun'
- Marianne's Dream
- Fragment: May The Limner
- Fragment: Thoughts Come And Go In Solitude
- The Fugitives
- To Jane: ‘The Keen Stars Were Twinkling'
- Fragment: To The Mind Of Man
- Fragment Of A Satire On Satire
- To-Morrow
- Lines: ‘That Time is Dead For Ever'
- Fragment: To Byron
- Lines To A Critic
- Fragment: Love The Universe To-Day
- The Boat On The Serchio
- Fragment: “Amor Aeternus'
- The Zucca
- Fragment: To One Singing
- The Sunset
- Fragment: ‘Ye Gentle Visitations Of Calm Thought'
- Lines: ‘When The Lamp Is Shattered'
- Ode To Liberty
- To Constantia, Singing
- The Two Spirits: An Allegory
- To Harriet
- Fragment: ‘Such Hope, As Is The Sick Despair Of Good'
- The Isle
- To William Shelley II
- Song To The Men Of England
- Stanza, Written At Bracknell
- The Past
- Fragment: Life Rounded With Sleep
- Mutability II (The flower that smiles today...)
- Ode To Naples (Antistrophe 2a)
- Stanzas.—April, 1814
- To Sophia
- Fragment: Home
- Fragment: The Lake's Margin
- Stanzas Written In Dejection, Near Naples
- Hymn Of Apollo
- Fragment: ‘The Viewless And Invisible Consequence'
- Fragment: ‘I Stood Upon A Heaven-Cleaving Turret'
- Ode to the West Wind
- Ode To Naples (Epode 2a)
- Lines: ‘We Meet Not As We Parted'
- Fragment On Keats
- Sonnet: Political Greatness
- Similes For Two Political Characters Of 1819
- Sonnet (Lift not the painted veil...)
- Fragment: ‘A Gentle Story Of Two Lovers Young'
- To The Lord Chancellor
- The Question
- From The Arabic: An Imitation
- The Pine Forest Of The Cascine Near Pisa
- Orpheus
- The Birth Of Pleasure
- Marenghi
- Song Of Proserpine While Gathering Flowers On The Plain Of Enna